Johan Halvorsens engagemang i Helsingfors 1889–92 som katalysator för hans arbete som kompositör

Abstract

The first part of the article examines the Norwegian composer Johan Halvorsen’s activities in Helsinki during the years 1889-92. The flourishing musical life of the Finnish capital, which actually inspired Halvorsen to begin composing, as well as Halvorsen’s musical agency, are examined from a variety of perspectives, both socio-cultural and biographical. The research is based on extensive historical archival material. The aim of the article is twofold: first, to map the musical and personal impulses that inspired Halvorsen’s emergence as a creative artist, and second, to highlight his contribution to Helsinki’s musical life during this period.

The second part of the article presents Halvorsen’s String Quartet in E minor (1892). This is his most important work from this period in terms of its scope and the prestige of the genre. The public response to the work’s first performance was positive, but the composer himself was not satisfied: a few years later he destroyed most of the material, but transcribed the slow movement for orchestra. Since Halvorsen was a self-taught composer, it is natural to ask why: was the destruction of the work the result of a lack of quality, the composer’s excessive self-criticism, or simply the conviction that the work did not represent his stylistic idiom as a composer? These questions will be explored through a transcription of the surviving orchestral score, an analysis of musical structures such as form (macro and micro), melody and harmony in the one surviving movement, the contemporary reception of the work, and finally a comparison of the work with Halvorsen’s oeuvre as a whole.